Harold Pinter

Accused sometimes of retreating into private worlds, Pinter from the mid-1980s onwards has answered his critics and expressed his sense of moral outrage with a series of pungent, political plays dealing with abuse of human rights. One For The Road (1984) demonstrates how torturers invoke God and country in order to justify their actions. Mountain Language (1988) depicts victimisation through suppression of language. Ashes to Ashes (1996) moves outwards from a man's interrogation of a woman about her lover to admit the Holocaust.


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